Final Words and Whimsies

Gabrielle Després, Violin and Umi Garrett, Piano

  • Nadia Boulanger (1887-1979) - Soleils couchants (1907) (2’)
  • Claude Debussy (1862-1918) - Sonata for Violin and Piano in G minor (1917) (13’)
  • Allegro vivo
  • Intermède: Fantasque et léger
  • Finale: Très animé
  • Franz Schubert (1797-1828) - Fantasy for Violin and Piano in C major, D. 934 (1827) (25’)
  • Program Notes:
  • “Soleils couchants,” translating to “Setting Suns,” sets the stage for a program exploring the works of composers nearing the end of their lives. An early 20th century art song composed by Nadia Boulanger in 1907, it was set to text written by Symbolist poet Paul Verlaine, evoking an atmosphere of melancholic nostalgia as the music drifts through dreamy harmonies. This leads us into the sound world of Debussy’s Violin Sonata, composed in 1917 when he was suffering from terminal cancer, and Europe was in the depths of World War I. This was the last work he completed before his death the following year, and the music is filled with a sense of melancholy. However, there is also wonderful lightness, whimsy, and capriciousness throughout the sonata. This dichotomy is introduced within the first two chords of the piece, moving from G minor to C major, which opens the piece into a world of possibility. Although the sonata is short in length, Debussy explores countless fantastical characters, mixing in moments of Spanish and Hungarian influence and striking sound worlds.
  • The opening chords of Debussy’s Violin Sonata also outline the tonal progression of the recital program as we move from G minor into the world of C major in Schubert’s Fantasie for Violin and Piano. Written in 1827, this was the last work that he wrote for violin and piano. Although a strikingly virtuosic piece for both instruments, it is also very characteristic of Schubert’s music with the ever-present sense of darkness within lightness, sadness within joy, pain within love. The piece begins incredibly hushed, emotionally vulnerable but full of wonder. From this place we journey through worlds of pain, ecstasy, yearning, and joy. The emotional heart of the work comes in a set of variations in the distant key of A-flat major, based on a song that Schubert composed in 1821, “Sei mir gegrüsst,” translating to “I greet you.” The song is filled with a feeling of longing and love, but also tragedy, as the one who is being greeted has been taken away and can, in fact, no longer be greeted. However, over the course of this long, deeply emotional journey, the piece ends with a sense of dazzling triumph, as we find ourselves back home in C major.

Praised for her “gorgeous, rich tone” and fresh, insightful interpretations, Canadian violinist Gabrielle Després has emerged as a compelling young artist, enjoying a diverse career as a soloist and chamber musician. As a recent finalist of the 2025 Sibelius International Violin Competition, she was also first-prize winner of the Irving M. Klein International String Competition and the Juilliard Concerto Competition, and a top prize recipient at the Michael Hill, Elmar Oliveira, and Washington International Violin Competitions.

As a soloist, Gabrielle has appeared with the Finnish Radio Symphony Orchestra, Helsinki Philharmonic, Juilliard Orchestra, Spokane Symphony, and Peninsula Symphony, among others. A passionate chamber musician, she has performed at the Marlboro Music Festival, ChamberFest Cleveland, Music in the Vineyards, IMS Prussia Cove, and the Edmonton Summer Solstice Music Festival. Committed to using music as a force for connection, Gabrielle has also worked with Project: Music Heals Us, teaching and performing in carceral facilities across California. Alongside her dear friend Coco Mi, she is the co-founder of the NYC-based concert series, Lyrical Libations, which features pairings of chamber music and cocktails in intimate bars.

Gabrielle earned her Bachelor and Master of Music degrees, as well as her Artist Diploma, at the Juilliard School as a proud recipient of the Kovner Fellowship. She will be serving as a Teaching Assistant at Juilliard for Catherine Cho beginning in the fall of 2026. Her formative mentors include Catherine Cho, Donald Weilerstein, Joseph Lin, Masao Kawasaki, Robert Uchida, and James Keene.

Gabrielle performs on a violin of Zosimo Bergonzi and a bow of Étienne Pajeot, graciously provided to her by CANIMEX INC., from Drummondville, Quebec, Canada.

Umi Garrett is a highly accomplished solo and chamber pianist, having performed numerous recitals in the United States and internationally. Most recently, she performed Messiaen’s Quartet for the End of Time with principal members of the Chicago Symphony Orchestra including Danny Jin, John Sharp, and Stephen Williamson at the University of Chicago, and performed at Carnegie Hall’s Weill Hall in collaboration with double bassist Nina Bernat. She was also recently featured on Interlochen Public Radio as part of a chamber music residency with Viridian Strings. She has performed regularly through presenters such as the Clark Art Institute, the Dame Myra Hess Series, Bay Chamber Concerts, and the Chopin Foundation of the United States.

Umi was awarded first prize at The Juilliard School’s Concerto Competition, fourth prize at the 2020 National Chopin Piano Competition, and awarded the John Newmark Prize for Best Collaborative Pianist for her performances with finalist Nathan Meltzer at the 2023 Montreal International Violin Competition. During the summers, Umi is a Staff Collaborative Pianist for the Program for Piano and Strings at the Ravinia Steans Music Institute, under the leadership of Artistic Director Midori. Umi has released three solo albums and released her debut chamber album in 2024 of the complete Beethoven Cello Sonatas under PARMA Recordings. Umi has received Bachelor’s and Master’s degrees in Piano Performance at the Juilliard School where she was a recipient of the Kovner Fellowship, and previously served as a Collaborative Piano Fellow at the Yale School of Music. She is currently pursuing an Artist Diploma at The Juilliard School with Hung-Kuan Chen and Shai Wosner. Umi is a Young Steinway Artist.

About the Dame Myra Hess Concerts

The concerts are generously sponsored by the Paul Angell Foundation, the Illinois Arts Council and by individual donors.

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